This doesn’t quite mean he’s left his misogyny behind - it lingers, infecting otherwise innocuous songs - but it does mean that Nickelback no longer rely solely on heavy-footed power chords set to lumbering rhythms. Chad Kroeger’s brow is no longer furrowed, treating rock & roll as an ordeal he’s stepped back a bit, allowing himself to have a good time. Left to their own devices on Here and Now, Nickelback have done the unthinkable: they’ve embraced who they are.
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